Open casting call - Absurd person singular - 10/7 & 10/10

Sidney Hopcroft - A businessman who goes from owning a general store to expanding into real estate development. He is an energetic, small man who likes to fix things around the house. Although he is not the most romantic person, he's willing to bring positivity in every situation.

Jane Hopcroft - Jane is Sidney's wife who is obsessed with cleanliness and domesticity. She plays the role of the typical TV housewife, doing whatever it takes to keep the house in order.

Ronald Brewster-Wright - Ronald is a bank officer with an intimidating appearance who struggles with understanding women. Because he belongs to the managerial class, he relies on others to fix things for him.

Marion Brewster-Wright - Marion is Ronald's sophisticated, second wife, who looks down on those whom she thinks is beneath her. She is hypocritical and deals with life's problems by drinking alcohol.

Geoffrey Jackson - An architect who is also a shameless womanizer., Geoffrey's arrogance prevents him from recognizing the flaws in his designs and his marriage, but he is eventually humbled by his mistakes and learns to appreciate his wife more.

Eva Jackson - Eva is Geoffrey's unstable wife, who is unhappy with her marriage and uses tranquilizers as a way to cope. Her drug use prevents her from having healthy interactions with people and keeping the house clean. After a failed suicide attempt, she tries to get her life together and, along with her husband's newfound appreciation, begins to regain stability.

ALL ROLES ARE OPEN.

Bring Headshot and Resume.

Sides will be provided.

No tech week or show date conflicts acceptable.

Rehearsal Dates - Monday, Tuesdays and Thursdays 7:30-10:00 beginning on 10/14

Performance Dates - 11/29, 11/30, 12/1, 12/12, 12/13, 12/14, 12/15, 12/20, 12/21, 12/22

Mail Video Submissions to: info@studiotheatrelongisland.com

Studio Theatre of Long Island

141 S. Wellwood Ave. Lindenhurst 

October 7th and October 10th at 7:00 PM

Callbacks - TBD

Directed by: Tommie Gibbons

Young Anna

Young Anna, Middle Anna, and Anna are all the young Princess of Arendelle at different ages. Filled with a tremendous amount of light, energy, and love, Anna is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. Each version of this warm and determined princess requires a strong singer with great comic timing. Because Anna and Elsa share such a close bond, consider auditioning these roles together to get a sense of the performers' chemistry. Once your actors playing Young Anna and Middle Anna are finished with these roles, consider adding them to the ensemble for the remainder of the show.

Gender: Female

Vocal range top: D5

Vocal range bottom: A3

Middle Anna

Young Anna, Middle Anna, and Anna are all the young Princess of Arendelle at different ages. Filled with a tremendous amount of light, energy, and love, Anna is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. Each version of this warm and determined princess requires a strong singer with great comic timing. Because Anna and Elsa share such a close bond, consider auditioning these roles together to get a sense of the performers' chemistry. Once your actors playing Young Anna and Middle Anna are finished with these roles, consider adding them to the ensemble for the remainder of the show.

Gender: Female

Vocal range top: B4

Vocal range bottom: A3

Anna

Young Anna, Middle Anna, and Anna are all the young Princess of Arendelle at different ages. Filled with a tremendous amount of light, energy, and love, Anna is a hopelessly optimistic extrovert at all ages, but as she grows older, she longs for connection with others, especially her sister, Elsa. Each version of this warm and determined princess requires a strong singer with great comic timing. Because Anna and Elsa share such a close bond, consider auditioning these roles together to get a sense of the performers' chemistry. Once your actors playing Young Anna and Middle Anna are finished with these roles, consider adding them to the ensemble for the remainder of the show.

Gender: Female

Vocal range top: D5

Vocal range bottom: G3

Young Elsa

Young Elsa, Middle Elsa, and Elsa are all the elder Princess of Arendelle at different ages. Next in line for the throne, Elsa has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers which she masterfully uses to manipulate the Snow Chorus. With the exception of Middle Elsa, who has only one lyric, look for very strong singers who can portray Elsa's restrained nature. Once your actors playing Young Elsa and Middle Elsa are finished with these roles, consider adding them to the ensemble for the remainder of the show.

Gender: Female

Vocal range top: C#5

Vocal range bottom: A3

Middle Elsa

Young Elsa, Middle Elsa, and Elsa are all the elder Princess of Arendelle at different ages. Next in line for the throne, Elsa has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers which she masterfully uses to manipulate the Snow Chorus. With the exception of Middle Elsa, who has only one lyric, look for very strong singers who can portray Elsa's restrained nature. Once your actors playing Young Elsa and Middle Elsa are finished with these roles, consider adding them to the ensemble for the remainder of the show.

Gender: Female

Vocal range top: F#4

Vocal range bottom: A3

Elsa

Young Elsa, Middle Elsa, and Elsa are all the elder Princess of Arendelle at different ages. Next in line for the throne, Elsa has been born with magical powers that can overwhelm her when she becomes afraid and harm others if not handled with care. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn as she grows older, before eventually learning to take control of, and become confident in, her powers which she masterfully uses to manipulate the Snow Chorus. With the exception of Middle Elsa, who has only one lyric, look for very strong singers who can portray Elsa's restrained nature. Once your actors playing Young Elsa and Middle Elsa are finished with these roles, consider adding them to the ensemble for the remainder of the show.

Gender: Female

Vocal range top: D5

Vocal range bottom: F#3

King Agnarr

The warm-hearted ruler of Arendelle is committed to protecting both his family and the Townspeople from his eldest daughter's powers. With only one singing solo, focus on casting an actor who can play this father figure convincingly.

Gender: Male

Queen Iduna

The queen possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, this queen has the ability to communicate with the Hidden Folk of the mountains and so understands Elsa's powers deeply; look for an actor who can portray this sense of compassion.

Gender: Female

Pabbie

Pabbie and Bulda are the mystical leaders of the Hidden Folk who have a soft spot for "strays." Ever-benevolent, these parental figures want what's best for Kristoff, even if they are a bit misguided in their efforts. Look for amiable performers who will endear themselves to the audience in the crowd- pleaser, "Fixer Upper."

Gender: Any

Bulda

Pabbie and Bulda are the mystical leaders of the Hidden Folk who have a soft spot for "strays." Ever-benevolent, these parental figures want what's best for Kristoff, even if they are a bit misguided in their efforts. Look for amiable performers who will endear themselves to the audience in the crowd- pleaser, "Fixer Upper."

Gender: Any

Bishop

The bishop officiates the coronation and passing of the crown to Elsa. This spiritual supervisor must communicate to the Townspeople of Arendelle in a serious and formal manner.

Gender: Any

Kristoff

Kristoff is a hardworking ice harvester. Kristoff has a sarcastic veneer and a rough-around-the-edges exterior that hides a big heart. Taken in by the Hidden Folk when he was young, he loves Pabbie and Bulda dearly, but is a bit of a loner with a reindeer for a best friend- until he meets Anna. With only a few short singing solos, focus on casting a performer who can balance a cynical sense of humor with charming banter.

Gender: Male

Vocal range top: A3

Vocal range bottom: G2

Sven

Sven is a reindeer of few words, fiercely loyal pal to Kristoff, and loves giving the ice harvester a hard time. Look for a performer with good comic timing and terrific physical acting skills who can devise a strong movement vocabulary to bring this furry charmer to life. Consider auditioning potential Svens and Kristoffs together as the two should share a visible bond.

Gender: Any

Vocal range top: A4

Vocal range bottom: A3

Hans

The ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. Hans constantly strives to find a way to make good and stand out. He boasts an exceedingly charming facade that fools everyone - including Anna and, ideally, the audience! - into believing he's Prince Charming, when really, he's just a jerk. Cast an actor who can play both sides of this two-faced prince with relish as well as confidently sing the moments of harmony in "Love Is an Open Door."

Gender: Male

Vocal range top: B3

Vocal range bottom: G2

Weselton

A visiting duke who possesses a huge inferiority complex. A bombastic, overbearing sycophant, Weselton's sole purpose is to hobnob with influencers and royalty. Look for an actor who can portray the narrow-minded naysayer with over-the-top gusto.

Gender: Any

Olaf

The magical snowman created by Anna and Elsa when they were young. Olaf is endearingly delighted by everything - especially the idea of summer. Goofy and sweet, Olaf should possess a childlike innocence and excellent comic timing.

Gender: Male

Vocal range top: D4

Vocal range bottom: F#2

Oaken

An exceedingly cheerful and convivial wandering salesperson and ardent devotee to all things cozy and comfortable. Oaken's "Hygge" is a showstopper, so cast an actor who can portray the peppy peddler's infectious warmth with flair and good humor.

Gender: Any

Ensemble

Includes the following roles: Townspeople, Snow Chorus, Hidden Folk, Castle Staff, Housekeeper, Butler, Handmaiden, Cook, Steward, Guards, Summer Chorus, Oaken's Family

Gender: Any

**ALL PERFORMERS IN THIS PLAY MUST BE 18 YEARS OF AGE OR UNDER**

ALL ROLES ARE OPEN.

Bring Headshot and Resume.

Prepare 32 bars of a musical theatre song. Your audition piece should be consistent with the style of the show. You may sing from the show. You may be asked to stay and sing a portion of one of the songs listed in the character descriptions. Be familiar with them before auditioning.

Rehearsal Dates - Mondays and Thursdays 7:30-10:00 beginning 10/21.

Performance Dates - 12/20 (7:30), 12/21 (2:30 & 7:30), 12/22 (2:30), 12/23 (2:30), 12/26 (7:30), 12/27 (2:30 & 7:30), 12/28 (2:30 & 7:30), 12/29 (2:30)

Mail Video Submissions to: info@studiotheatrelongisland.com

No tech week or show conflicts permitted.

Studio Theatre of Long Island

141 S. Wellwood Ave. Lindenhurst 

October 7th and October 10th at 7:00 PM

Callbacks - TBD

Directed by: Morgan Faye Neuhedel

Diana

Delusional, bipolar, and depressed. The sexiness of her yesterdays has only recently begun to soften. She is determined to make her family perfect but is tortured by a death in the family.
Gender: Female
Age: 40 to 50
Vocal range top: F#5
Vocal range bottom: G3

Dan - (The role of Dan has been cast).

Gabe

Diana & Dan's son. Dashing, athletic, and bright. He is a playful man and everything a mother could imagine.
Gender: Male
Age: 18 to 21
Vocal range top: C5
Vocal range bottom: B2

Natalie

Diana & Dan's troubled daughter. An accomplished pianist and hardworking student, her struggles are exacerbated by her mother's behavior. She greatly admires Henry.
Gender: Female
Age: 16 to 21
Vocal range top: G5
Vocal range bottom: G3

Henry

Natalie's classmate. The all-around musician, philosopher, and slacker. He has an intoxicating capacity for sympathy and romance.
Gender: Male
Age: 17 to 21
Vocal range top: B4
Vocal range bottom: G#2

Dr. Madden

Diana's handsome psychiatrist. Quite assured in his practice and considered somewhat of a rock star.
Gender: Male
Age: 40 to 50
Vocal range top: A4
Vocal range bottom: A2

(The role of Dan has been cast). ALL OTHER ROLES ARE OPEN.

Bring Headshot and Resume.

Prepare 32 bars of a musical theatre song. This is a rock musical and your audition piece should be in the style of the show. You may sing a cut from a song in the show, or may be asked to stay and sing a portion of one of the songs from the score.

Rehearsal Dates - 11/2, 11/3, 11/10, 11/25, 11/26, 11/27, 11/30. Mondays, Tuesdays, Wednesdays & Thursdays from 7:00-10:00 beginning on 12/2

Performance Dates - 1/17, 1/18, 1/19, 1/23, 1/24, 1/25, 1/26, 1/31, 2/1, 2/2

Mail Video Submissions to: info@studiotheatrelongisland.com

No tech week or show conflicts permitted.

Studio Theatre of Long Island

141 S. Wellwood Ave. Lindenhurst 

October 21st and October 22nd at 7:00 PM

Callbacks - October 24th at 7:00

Directed by: Tyler Patrick Matos

Sister Aloysius Beauvier
Sister Aloysius is in her fifties or sixties, and wears a black bonnet, a black habit, and rimless glasses. The the principal of St. Nicholas Church School in the Bronx, Sister Aloysius is rigid and conservative in her vision of education, watchful over her teachers and students, and firm about the hierarchy of the church and its disciplinary methods. Before she became a nun, Sister Aloysius was married, but her husband died in World War II. She is sharply intelligent, and often wields her intelligence as a weapon. Despite her traditional view of the church’s system of justice, when she suspects Father Flynn (her superior in the hierarchy of the church) of misconduct, Sister Aloysius is willing to reach outside of the patriarchal rules and resolve the matter herself. While her dedication to justice and protecting the students is admirable, her insistence on banishing any doubts that don’t align with her narrative narrows her view considerably. She firmly believes that “when you take a step to address wrongdoing, you are taking a step away from God, but in his service.”

Father Brendan Flynn
Father Flynn is a working-class Northeasterner turned well-liked priest and teacher in his mid-to-late thirties. His goal is “progressive education and a well-rounded church,” making him popular with the students, but unpopular with the traditional principal Sister Aloysius. Sometimes, his progressive nature blurs the boundary between his position as priest and the role he plays as “friend” to some of the students. His sermons are engaging and clear, though he does use fabrications to support his points: “The truth makes for a bad sermon,” he tells Sister James. “It tends to be confusing and have no clear conclusion.” Father’s Flynn’s belief that all humans are struggling to make sense of their doubts is a comforting notion to his parishioners, but is also an easy escape from accountability for their mistakes.

Sister James
Sister James, in her twenties, is a young nun and teacher at the St. Nicholas Church School. Though she’s at times overwhelmed by her eighth-grade students, she does her best to resolve any issues herself. Sister James is an enthusiastic teacher who loves history, though according to Sister Aloysius, her teaching methods verge a bit towards the performative. Sister James is sensitive and eager to forgive and forget, so she struggles to make sense of the conflict between Sister Aloysius and Father Flynn. Uncertainty is an uncomfortable position for Sister James, and she longs for a world where things are clear, people tell the truth, and all have good intentions.

Mrs. Muller    

The mother of Donald Muller, an African-American student who recently transferred to St. Nicholas Church School. Mrs. Muller aims to make a good impression, dressed in her Sunday best to meet with Sister Aloysius. Mrs. Muller is intelligent and fully aware that her race is a factor in her treatment and the treatment of her son, and she pulls no punches. She is fiercely protective of her son, although she knows that her husband beats Donald, perhaps because he is effeminate. While she doesn’t blame her son for his possible illicit relationship with the Father, Mrs. Muller truly believes that “sometimes things aren’t black and white.” Out of love for her son and hope for his successful future, she urges Sister Aloysius to just get him through the year, regardless of what she thinks happened.

ALL ROLES ARE OPEN.

Bring Headshot and Resume.

Sides will be provided.

Rehearsal Dates - TBD

Performance Dates -2/7, 2/8, 2/9, 2/13, 2/14, 2/15, 2/16, 2/21, 2/22, 2/23

Mail Video Submissions to: info@studiotheatrelongisland.com

No tech week or show conflicts permitted.

Studio Theatre of Long Island

141 S. Wellwood Ave. Lindenhurst 

October 27th and October 30th at 7:00 PM

Callbacks - TBD

Directed by: Lynn Antonovich